There was a time when people realized
That poetry was easy to remember
And people wrote in verse — yes, essays too —
Because the rhythms and the lines which were
The same length as their short-term memory
Allowed them to remember what was written.
That’s also why so many plays were written
In verse, to help the actors memorize
The plays more easily. As we have moved
Away from rhythmic verse, we’ve also heard
Complaints about our students’ memories,
How they don’t seem to know a thing, it seems.
Perhaps if we were teaching everything
In blank verse lines so that our rhythmic brains
Could map the rhythmic lines more easily
Onto themselves, then we could memorize
Far more than we do now. The science is
Most certainly behind me on this thesis.
There was a kind of poetry intended
To teach the reader, which has fallen out
Of fashion. Once didactic poetry
Was well-respected. Alexander Pope
Wrote his Essay on Man not in dull prose
But rather in heroic couplets. Just
Consider these few lines of his knowledge:
“Say first, of God above or Man below
What can we reason but from what we know?”
Epistemology has never been
More clearly stated, or more beautifully.
We have as models of this kind of verse
The likes of Hesiod and Ovid, Virgil
And Shelley. Why have we rejected use
And information as an aim of verse?
It seems the very worst that Modernism
Contributed was the idea that
All art — and even the humanities —
Should be completely useless. Art for art’s
Sake, nothing more. Indeed, this freed
The arts, allowed proliferations of
Such forms as we had never seen in such
A short time period. And yet one has
To wonder why the usefulness of some
Art could not be retained. The structure of
Our brains allow the regularities
Of poetry to easily deliver
The information and ideas which
Bombard us in high qualities today,
So much of which we need to know to do
The complex jobs we have, to understand
The world in its complexity, which we
Did not evolve to really deal with. Yet
We have a tool — a tool which we discarded —
Which lets us learn so much so fast that we
Could even understand this world we live
In better and in much more depth than we
Do now. Can you imagine what we could
Learn more than we now think is possible?
Perhaps you don’t believe the things I say.
Well, let me ask you this: how many lines
Of prose can you recite? How many songs?
A song indeed is poetry, and you
No doubt can sing a couple dozen songs
Without a note to prompt you. Why is this?
Perhaps it is because all that I said
Is true. The rhythms and the rhymes of songs
And formal poetry get stuck and play
Themselves on your brain’s rhythmic circuitry.
When we get earworms, it is never prose,
But always songs which we hear in our heads.
Our memories are rhythmic and work best
With rhythms when we want to memorize
For quick recall. Imagine too the new
Ideas which our brains could formulate
If we in fact made use of what our brains
Could really do by taking full advantage
Of how it works. It is too bad that we
Don’t take advantage of the usefulness
Of poetry to learn about the world.
The sciences and the humanities
Could all be easily accessible,
Could easily be learned if we could just
Present it to our students in blank verse.